Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. [1] He used it for his design of the Oxford Lectern Bible.

Oct 8, 2019 · Centaur Font Family is a humanist typeface with a great repute in the type design market. Possessing the TrueType file format it comprises a keen approach in the readability and textual displaying. Designers took huge care for delivering the best appearance and texture throughout the font family.

Centaur is what is known as a Venetian face, characterized by oblique stress, minimal contrast between thick and thin strokes, the slanted bar in the e, and heavy serifs. You can stick with it for titles, but Centaur remains legible in much smaller sizes than anybody ever dreamed of.

Oct 13, 2016 · The Centaur typeface by Bruce Rogers was first set in 1915, in an edition of The Centaur by Maurice de Guérin, thus attaching the half-man, half-horse creature to the Roman letters.

Oct 5, 2024 · Centaur is a Serif typeface by book and typeface designer Bruce Rogers, based on the Renaissanceperiod printing of Nicolas Jenson around 1470. It was given widespread release by Monotype, paired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrap.

Aug 10, 2023 · In the world of typography, Centaur Font stands as a true embodiment of timeless elegance and versatility. This serif typeface, renowned for its origins in the Renaissance-period printing style of Nicolas Jenson around 1470, captures the essence of classic design while maintaining a modern flair.

Sep 13, 2016 · We used three digital versions of Centaur in the book: the 1987 Monotype digitization of the 1929 design for display, Jerry Kelly’s revival of the 1914 foundry type, and the unreleased Centaur Book Caption that Toshi Omagari based on the 8 …

Rogers later designed for the Monotype Corporation a lowercase based on Jenson’s work, turning the titling into a full typeface, Centaur, the most elegant and Aldine of the Jenson derivatives. Centaur® font field guide including best practices, font pairings and alternatives.

Centaur in use. Based on Nicholas Jenson’s 15th-century roman. Drawn by Bruce Rogers and cut by Robert Wiebking for the Metropolitan Museum of Art (New York) in 1914.

The italic (called Arrighi) was designed by Frederic Warde, 1925, based on Ludovico Arrighi’s chancery font, Venice, 1520. The typeface is named after the publication it was first used in, Maurice de Guérin's The Centaur (printed in an edition of …