In 1929, at the start of the stock market crash that inaugurated the Great Depression, Variety ran the famous headline: “WALL STREET LAYS AN EGG.” It’s possible now to imagine the sequel: “DONALD ...

The New Yorker magazine, a staple of American literary and cultural life defined by its distinctive covers, long-form journalism, witty cartoons ...

While the US was a troubled nation long before the coronavirus, our failure to treat the pandemic as an enduring emergency ...

From its first edition 100 years ago through the atomic bombs dropped on Japan, to the attacks of September 11, 2001 and on ...

Steven Marcus teaches a course at Stockton University called “Art and the Holocaust.” So it was probably apropos, Wednesday ...

Portrait With Maus Mask, 1989. At many points in his life Art Spiegelman has tried to escape his family’s past—and who can blame him? His parent ...

Dolly Faibyshev for The New York Times Supported by By Alex Vadukul On Tuesday evening, Art Spiegelman and Françoise Mouly were sitting at a sidewalk table outside Jean’s, a chic night spot in ...

Through interviews with the artist and those closest to him, Molly Bernstein and Philip Dolin chronicle Spiegelman’s career ...

“Our enduring success stems partly from what we don’t do: We’re not aiming to illustrate our feature story, and we don’t tell artists what to draw,” Mouly said. “The New Yorker cover ...

Françoise Mouly, The New Yorker’s art editor, presents a seminar on how the magazine’s famous covers are crafted each week, joined by the cover artists Sarula Bao and Adrian Tomine.

Françoise Mouly, The New Yorker’s art editor, presents a seminar on how the magazine’s famous covers are crafted each week, joined by the cover artists Sarula Bao and Adrian Tomine.