The Last Showgirl' star Pamela Anderson discussed how it feels to miss out on an Oscar nomination for best actress.

In the latest edition of The Dispatch, Derek C. Blasberg talks to the duo about how fate (and Coppola’s determination) brought them together for The Last Showgirl.

Pamela Anderson gives the performance of her career as Shelly in Gia Coppola‘s melancholic drama “The Last Showgirl.” The oldest showgirl in Le Razzle Dazzle, the last revue of its kind on the Las Vegas strip,

Pamela portrayed Shelly Gardner, a middle-aged Las Vegas showgirl who discovers the revue she performed in for three decades is closing. The film is based on the unproduced play Body of Work by Kate Gersten, who adapted the screenplay.

The storyline of Gia Coppola’s The Last Showgirl revolves around Las Vegas show “Le Razzle Dazzle” — but for all of its rhinestones and feathers, it feels authentic. There are […]

How Pamela Anderson's critique of ageism in 'The Last Showgirl' parallels Maureen O'Hara in Dorothy Arzner's 1940 'Dance, Girl, Dance.'

For a film that goes behind the stage and into the dressing room of Las Vegas showgirls in which not much is left to the imagination, “The Last Showgirl” is about as tame as they get for an R-rating.

She did not win at the awards ceremony on Jan. 5, but Pamela Anderson was deserving of her nomination for a Golden Globe for her starring turn in “The Last Showgirl.” Getting a wide release this week,

The Last Showgirl, directed by Gia Coppola, tells the story of a veteran dancer struggling to find a new purpose in the Vegas entertainment industry after the closing of Le Razzle Dazzle, a

A power ballad can feel cheesy in the wrong context, but in Gia Coppola's film, it's a deceptively meta knockout

After “Baywatch,” that “Pam and Tommy” miniseries and a documentary on Netflix, Pamela Anderson was ready for a change. She gets it with "The Last Showgirl."

There's no cliché ninth-hour Hollywood self-revelatory transformation. It's a small, sad, somber story, though Coppola makes the right choice to make seductive Las Vegas into a character, albeit a cruel one. The only razzle dazzle here is Anderson ...