It's easy to read Chris Sanders' The Wild Robot and Gints Zilbalodis' Flow — two of the best films of 2024 — as companion pieces. Both are animated, both feature little to no human involvement ...

Like Wild Robot, Flow prizes that expressiveness over glinting realism. Unlike The Wild Robot, it doesn’t make concessions to preconceptions of what a family audience can handle.

Besides The Wild Robot and Flow, three other films round out the animated feature category: Disney-Pixar’s Inside Out 2, Adam Elliot’s Memoir of a Snail, and Aardman Animations’ Wallace ...

It says a lot about the quality of The Wild Robot and Flow that Inside Out 2 is the underdog. The Pixar sequel is, in fact, the highest-grossing animated film in history, with a nearly $1.7 ...

For much of the night, Arcane and The Wild Robot were the only titles with multiple Annie Awards, but Flow got two as did Dream Productions and Marvel’s Moon Girl and Devil Dinosaur, for Best ...

Chris Sanders’ “The Wild Robot” from Dreamworks Animation leads the feature competition of the 52nd Annie Awards for animation with 10 nominations, followed by Disney/Pixar’s “Inside Out ...

“Flow” won two awards, one for Best Feature – Independent and one for writing, a category in which “The Wild Robot” was not nominated. “Despicable Me 4” won the only other film award ...

The Wild Robot and Flow don't stop at these environmental cues to indicate how climate change figures into the lives of their heroes. Instead, the characters who inhabit these environments become ...

Like Wild Robot, Flow prizes that expressiveness over glinting realism. Unlike The Wild Robot , it doesn’t make concessions to preconceptions of what a family audience can handle.

It's easy to read Chris Sanders' The Wild Robot and Gints Zilbalodis' Flow — two of the best films of 2024 — as companion pieces. Both are animated, both feature little to no human involvement ...